Cecilia’s Day (1739) Purcell’s “Sound The Trumpet,” Welcoming Ode for James II (1687) and Handel’s “The trumpet shall sound” (“and the dead shall be raised, Messiah (1742). After this time they began to be welcomed “indoors” into the chamber, but even so their association with military, regal and religious occasions remained, as is evident in such famous trumpet pieces as Handel’s “The trumpet’s loud clangor excites us to arms,” Ode for St. Chorale: Sei Lob und Preis mit Ehren Allelujaįrom earlier times, the trumpet has represented military, religious and regal pomp, and until about 1600 trumpets were generally relegated to outdoor, ceremonial occasions of these types. – (from Jauchzet Gott in allen Landen, Cantata No. – (from: Oh come chiare e belle, HWV 143, Cantata No. – (from Ich hatte viel Bekummernis, Cantata No. – for Trumpet, Strings and Basso Continuo (D Major) Georg Friedrich Händel – (from Ode for the Birthday of Queen Anne) Poco mosso, sempre dolce e leggiero – Ritornello Su le sponde del Tebro – (Cantata a voce sola con Violini e Tromba) 6: Mio Tesoro per te moro – (Aria In Forma Di Menuet Alla Francese) Let The Bright Seraphim – (From Samson, HWV 57)Īlessandro Scarlatti (1660-1725) – (from 7 Arie Con Tromba Sola)
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